I really wanted to like this book. I really enjoy the details of making a fantasy world feel lived in; breathing, functioning. So when I found City Builder: A Guide to Designing Communities, I jumped at the opportunity to add such a resource to my library. But there was a singular problem I noticed within the first few pages of the book. The book did not deliver on the title’s promise. It does not guide in the creation of communities or cities. So then, what was the aim? I flipped to the Introduction:
Welcome Back! I’m going to continue on from the last blog so if you haven’t given that a read I suggest you read through it first.
We’ve gone over the basic quest types, so how do you make your own quests in a simple way? There’s a handy dandy list of questions that you need to run through. These questions are first answered by the DM and then answered by the players.
Who? The persons and parties involved
What? The quest’s objective
When? A sense of time, urgency or expiration
Where? What are the locations involved?
Why? The ‘so what’ part.
Why not you? Your players will ask why the quest giver or some other relevant party isn’t taking care of the issue; have a plausible answer.
What’s the reward? This is what hooks the players into the quest. Get fancy, add some secondary objectives, conditionals, and utilize intrinsic and extrinsic rewards. Does your group haggle? Low ball the initial reward and keep a reward ceiling in mind.
Consequences? What happens if the quest isn’t completed?
Ex. Reggie Needs 10 Wolf Hides
What: Needs 10 wolf hides delivered
When: Tuesday EoB
Where: Reggie’s Discount Hide Shack, Nearby over-populated wolf forest
Why: Reggie’s behind on his orders
Why not Reggie: Reggie isn’t a hunter, he’s a tanner. Reggie’s usual guy (his brother) is laid up with an injury.
Reward: 2 gp per hide and good relations with Reggie
Consequences: Reggie falls further behind in his orders, loses money. Someone comes and breaks his legs and he dies penniless in the gutter.
Simple enough to quickly see everything that pertains to a quest. The DM should always be able to answer these questions and the players should be able to answer all or nearly all the questions by the end of the quest. It’s important with this information as a DM to be translucent, not transparent. Give them the dots, but let your players connect them so they fel agency by putting the pieces together.
Speaking of player agency there’s one glaring omission on the question list: How. The players determine how they complete the objective. In the example above the players might want to see if there’s an over supply of wolf hides that can be bought for cheap and delivered to Reggie. Also, take what your players give you. A scrupulous player may want to know how Reggie’s brother got injured. Maybe it was a simple accident or something more deadly awaits the party as they go hunting wolves. It’s always a nice change when a group wants to find a solution not involving indiscriminate bloodshed, so reward that.
Now with the simple things settled you can make some tweaks, changes, and complications. Get inventive. Quest givers don’t have to be people with glowing symbols over their heads. The Mines of Phandelver kicks off its first quest with two dead horses prickled with crudely made arrows barring the road. Environmental quest triggers work really well, because players want to solve puzzles. They will often start theorizing what happened before searching the area. Also, really lean on the intrinsic rewards. Like the real world it’s all about who you know, not what you know. If you want your players to treat your NPCs with respect, give them a reason for it. Letters of introduction, referrals, and social friends trump their weight in gold. Favors and reputation are often more valuable than cold hard GP. You can also transform the objective, Bethesda’s Elder Scroll and Fallout games are good examples. NPCs aren’t omniscient, especially quest givers. They likely only know a facet of the larger issue. PCs can often make matters worse before making them better.
Make connections. Bridge different quests by sharing assets like NPCs, monsters, and rewards. This creates continuity and makes your world feel like it’s connected and alive, not simply a string of episodic adventures.
Then create complications. You can always make a simple thing more convoluted so it’s important your quests start off simple. Then you can drop in problems, roadblocks, and hiccups to make the party’s life difficult. Done badly it ends up feeling like an item trading quest: boring, repetitive, and usually it’s unnecessary to the larger plot. Done well: Bioshock. The original quest of Bioshock is a simple delivery quest to reach Atlas and escape Rapture. But the environment and society is crumbling around you. Passages get blocked and you either have to find a way around or through the roadblock. People with murderous intent keep getting in your way, indicative of the much larger issues plaguing the Randian paradise.
Let’s look at another example.
Ex. Lord of the Rings
Who: Council of Elrond, Sauron, The Fellowship
What: Take ring to mountain, drop in lava to destroy
When: ASAP, before Sauron’s domination of Middle Earth
Where: Middle Earth from The Shire to Mt. Doom
Why: To stop Sauron’s world domination
Why not Council of Elrond: Temptation of the ring and being too conspicuous
Reward: Not living/dying under Sauron’s move for world domination, destruction of The Shire, Fame
Consequences: Sauron’s world domination, destruction of The Shire, being driven mad by The Ring
Pretty simple idea, then you just add complication after complication. The first big obstacle being the blocked pass making the characters go into the Mines of Moria. Really everything from there on is an added complication, mini-quests within the bigger quest.
I could spend a lot of time and words going into the gritty details of this massive subject but I think these two entries give enough of a springboard to get you thinking and planning better adventures. Leave a question or comment if you like what I’m doing. you can also find me on Google+ and Twitter @Redraggedfiend
New post up: Five Fingers of Death!
We are bringing this character builder look at the new Player’s Handbook to an end. When I build a character my first focus is on the mechanics, I want an adept character. Naturally this last post will be about skinning Continue reading
Welcome back for part two of the character generation process. If you haven’t read part 1, hop back to the previous post. This series of posts are developed in conjunction with Ryndaria.com. So jump over there to see the different